Lectures
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Bennett, Giles: Ost-westlicher Kulturtransfer im Ballsaal – das Repertoire eines österreichischen Tanzlehrers in Lemberg in den frühen 1790er Jahren
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Eremina-Solenikova, Eugenia (Videoübertragung): Russian ball culture in the first half of 18th century
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Ertz, Matilda: Nineteenth-century theatrical ballabile and the Italian ball as social and political discourse of the Risorgimento
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Filimonov, Dmitry: The Tordiglione: Italian improvisational dance from the late 16th to early 17th centuries
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Finkel, Carola: Les Plaisirs du Bal du Mannheim – eine Betrachtung zum Tanzrepertoire in der zweiten Hälfte des 18. Jahrhunderts
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Guardiola, Susan de: A repertoire for Mademoiselle: Contredanse step-sequences in pre-Revolutionary France
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Harris-Warrick, Rebecca: Ballroom scenes on the French operatic stage
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Hoffmann-Cabenda, Birte: "Das tanzende Hamburg", der Gesellschaftsabend als Mittel hanseatischer Selbstdarstellung
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Jones, Alan: Pierre Landrin Duport: Elegant Accomplishments of a French Dancing Master in the United States
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Mettel, Michaela: Der Ball als cultural performance - Kriterien einer methodologischen Analyse
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Monahin, Nona: Negotiating Text and Movement: Some Challenges in Staging Dance in Shakespeare’s Plays
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Rannow, Angela: Zwar ist sie hin, die Prinzessin: Tanz bei kur-, fürstlichen und adeligen Hochzeiten am Dresdner Hof im 17. Jahrhundert
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Sundukova, Daria (Videoübertragung): Balls in the Russian Noble Assembly
Scholarly Posters
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Derkach, Maria and Filimonov, Dmitry: The Waltz in the late 18th - early 19th century: styles, use and techniques
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Derkach, Maria: Using Russian-German relationship for the reconstruction of a Russian ball at the beginning of the 19th century
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Jones, Alan: The career of Franco-American dancing master Pierre Landrin Duport
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Mettel, Michaela: Dissertationsprojekt: Performing Gender? Geschlechterrollen in den Tanztraktaten der italienischen Renaissance
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Nikitin, Dmitry: Balls of the Russian Empire in the 18-19th centuries. How we can look at them in the light of modern ideas about the quality of dance events.
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Shmakova, Alena: Dance Assemblies in Georgian Edinburgh
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Tuck, Bill: The Lunatic Asylum Ball: voyeuristic spectacle or dance therapy?
Workshops
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Daye, Anne: Law students’ Ball c.1600
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Feste, Irène: Variations of the « trait de la contredanse » in the 19th Century
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Filimonov, Dmitry: French branles for opening the ball in the late 16th–17th centuries
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Guardiola, Susan de: Waltzes, Newports, and Rackets: Common Movement Units in Late 19th Century American Couple Dance.
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Hazebroucq, Hubert: Dancing the corantoes (circa 1630) in the light of European sources
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Jablonka, Guillaume: Setting up the "Allemande" within the space of a ballroom: Hypothesis based on Brives Nouvelle Méthode from 1779
Short Performances
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Feste Irène, e.a.: Les Passe-Temps du bal - Jean-Etienne Despréaux’s Memoirs of the Ball
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LA DANZA München: „Mit ganzem Herzen und mit ganzer Seele“ – Die Ballszene aus den „Leiden des jungen Werther“ von Johann Wolfgang von Goethe
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Tanzkompanie Chorea Basileae: Dance forms in context: ballroom dance on stage?
Dance Evenings
Symposium Special
Intensive dance workshop to ring in the conference
