Lectures
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Bennett, Giles: Casanova und der Tanz – ein aktualisierter Blick in die "Histoire de ma vie"
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Daye, Anne: "After the manner of Italy": tracing the influence of Italian dance culture on Late Renaissance England
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Ertz, Matilda: Risorgimento themes in Italian ballets of the nineteenth century
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Fabbricatore, Arianna: "Ces Bouffons venus d'Italie": Italian grotesque practice issues and its reception
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Fenger, Josephine: "Italiens Tanzikone: Die tarantella als Metapher eines utopischen Arkadiens von der Grand Tour bis zum Posttourismus"
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Heiter, Gerrit Berenike: Italienische Tanzformen am kaiserlichen Hof – Die Rolle von Eleonora I. di Gonzaga (1598-1655) im choreographischen Kulturtransfer
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Heller, Wendy: Producing Cavalli's Operas: To Dance or Not to Dance?
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Jones, Alan: Balli e Banchetti
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Koop, Christoph / Walsdorf, Hanna: An der Wiege einer neuen Gattung: Balli und Moresche in der frühen italienischen Oper von Monteverdi bis Kapsberger
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Maurmayr, Bianca: Venetian theatrical dance coming to Paris: Italian influence on French ballet during the seventeenth century
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Mikhailova-Smolniakova, Ekaterina: On the problem of pictorial dance sources: dance "formulas" in Italian figurative arts in the Age of Basse dance.
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Pappacena, Flavia / Tozzi, Lorenzo: The Italianisation of French Dance: Dauberval at the Teatro Regio at Turin in 1759
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Rothermel, Jelena: "Hasse's Comic Tunes" als Quelle italienischer Tanzkonventionen in London
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Sainato, Ilaria: The Siena LV29 manuscript and an unknown Dancing Master
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Tomasevic, Nika: Ballon's , Fabiani's and Favier's conquest of pre-republican Rome (1790-1797)
Scholarly Posters
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Agnel, Romana: The influence of the Italian style on the Polish dance art in the 16th and 17th century
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Couch, Nena / Tsachor, Rachelle: Curating Italian Renaissance Research Papers: Preserving Secondary Sources for Future Research
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Dradi, Letizia: An architect at the service of the dance: Cesare Carlo Scaletta and his book
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Gardiner-Garden, John: All-involving dances of late 16th- and early 17th-century Italy and the persistence of propensities and ideas across lands and centuries
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Kazárová, Helena: Revealing the Genius – Re-creating Angiolini's Didone abbadonata
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Klementova, Katerina: Bohemian Lion Enchanted: Italian Cinquecento and Seicento in the Czech Countries
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Langston, Lisbeth: Duel and Dance: Moresca Stage Directions in L'Amor Costante (1536)
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Mikhailova-Smolniakova, Ekaterina: Mimesis in Jacques Callot’s Etchings
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Stocker, Kathrin: "Harlequinades" zwischen Commedia dell'arte und belle danse: Harlequin auf der Londoner Bühne des 18. Jahrhunderts
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Tsachor, Rachelle / Shafir, Tal: The Italian Dance Manual as a Source of Action for Theatre
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Walsdorf, Hanna, Dotlacilová, Petra e.a.: Ritual Design for the Ballet Stage: Constructions of Popular Culture in European Theatrical Dance, 1650–1760
Workshops
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Butler, Margret / Jablonka, Guillaume: Reconstructing "Anacreonte": Theatrical Dancing in Parma, 1759
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Dennison, Hazel: Drawing the Line, Dancing the Line
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Gardiner-Garden, John: The Gresley manuscript dances and their Italian connection
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Lehner, Markus: "le solite creanze" - Höflichkeitsgesten im italienischen Tanz um 1600
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Marsh, Carol: Gennaro Magri's Contraddanze (1779)
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Nowaczek, Jadwiga: Die Entschlüsselung der „Ammazzone“
Short Performances
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Abromeit, Klaus: Die Curieuse Methode - Tanzszenen nach Gregorio Lambranzi, "Neue und Curieuse Tantz-Schul", Nürnberg, 1716
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Accademia Nazionale di Danza - Roma; Conservatorio “Luisa D'Annunzio” - Pescara; Accademia di Belle Arti - L’Aquila: Occhi ridenti – music, song and dance between Cinquecento and early Seicento
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Cracovia Danza: Cracovia Danza for Barbara Sparti